I am indebted (I suppose) to Steve Sailer for drawing my attention to this:
And I am indebted (I suppose) to The Brussels Journal for drawing my attention to this:
.
Well. What is there left to say about hideous crapola of this sort, foisted on us by the "art-world" and their big-money/big-government friends?
Nothing, really. It's all been said before. Yet it just goes right on, day in, day out, year in, year out, decade after decade.
But still, familiar as it all is, I can still be shocked by the sheer, embarassingly grandiose, idiocy of it all:
“'The cave is a metaphor for the Agora, the first meeting place of humans, the big African tree under which to sit to talk, and the only possible future: dialogue, human rights,' says Barceló. Using postmodern rhetoric which closely mimics that employed by Zapatero, Barceló describes his new work as 'reaching towards the infinite, bringing a multiplicity of points of view.'
"The 1.500m2 (15.000ft2) ceiling, which was co-unveiled on November 18 by King Juan Carlos and Queen Sofia of Spain in the presence of UN Secretary General Ki-moon, is being hailed by the Spanish government as one of the UN’s most important works of art [sic]. Some are even comparing Barceló’s new 'symbol of multilateralism' with Michelangelo’s work at the Sistine Chapel.
"As Spaniards debate the artistic value of Barceló’s ceiling, however, excitement has turned into anger as Spanish taxpayers learn that they will be the ones footing the bill. The 13-month redecoration project has cost more than 20 million euros, all of which is being paid for by Spain. Some 60 percent of the money is coming from a group of Spanish companies that presumably have been pressured into joining a special NGO set up by the Spanish foreign ministry to 'promote dialogue through the use of Spanish art.' The remaining 40 percent is being paid for by the Spanish government, including 500,000 euros that were taken from Spain’s overseas development aid fund. Barceló, who insists that the money was not 'stolen from the poor,' will walk away with 6 million euros for his 'long, hard, fun and ultimately orgiastic' efforts."
Well ain't that special. Who would ever have guessed that Multiculturalism can make money for YOU! - NOW!!!
At least the possibility exists that the Los Angeles Museum of Contemporary Art might go bankrupt and have to close it's doors. But can that happen to the E.U.?.
Comments (21)
Right you are, Steve.
Government sponsored art isn't any better than government sponsored marketplace intervention -- indeed it's just another example of it.
If governments didn't subsidize this decadence, it would largely die out because most of those wealthy enough to pay for it out of their own pockets are probably too smart to be fooled by this destructive pretense to art and will refuse to put their hard-earned money into keeping it alive.
But those who are smart enough with their money not to keep this madness alive are forced to subsidize it anyway because their government takes their money and gives it the leftist subverters of beauty, truth, and goodness (three things noticeably absent from the vulgar image you posted) to produce the very things that undermine the culture that the wise citizen was trying to preserve before government stepped in.
Posted by Michael Bauman | November 21, 2008 7:48 PM
I think Roger Kimball in "The End of Art" zones in on the problem more precisely:
Posted by aristocles | November 21, 2008 8:07 PM
Prof. Baumann - I spent years working on a book, never finished, about how state subsidization had contributed to the decline of the arts in our time. But lately I've come to think that the problem is much worse, and much deeper, than that - that our whole culture is involved in some sort of bizarre *totentanz*, and that the state is merely along for the ride, taking advantage wherever and whenever it can.
I dunno.
Posted by steve burton | November 21, 2008 8:26 PM
It could easily be a "both-and." How about this for an off-the-cuff theory? Government subsidy in some area of human endeavor will always tend to intensify the effects of social pathologies in that area. So in this case, you have the pathology--the totentanz Steve refers to, the ideological hatred of beauty, etc.--but it would be feebler if it had to convince more ordinary people to subsidize it than it presently is with handouts controlled by a sector of society more likely to sympathize with that pathology. My mind is blanking. What is Robert Bork's phrase in Slouching Towards Gomorroah for intellectuals (or wanna-be intellectuals) in positions of government, etc.? It'll come to me.
Posted by Lydia | November 21, 2008 8:31 PM
Aristocles - Roger Kimball is a very smart & knowledgeable guy, and he has my greatest respect, but I think that passage raises more questions than it answers. For exmple, why should "opposition" and "celebrity" go together?
Posted by steve burton | November 21, 2008 8:32 PM
btw - I'm simply flummoxed on how to get my image links to work. Any advice is welcome.
Posted by steve burton | November 21, 2008 8:35 PM
Somewere, Marchel Duchamp is laughing hysterically.
Posted by Grumpy Old Man | November 21, 2008 8:35 PM
Steve,
I don't mean to be laying the blame solely at the feet of government, not at all. Especially as regards the arts, we often are the foolish and willing victims of our government's cultural wickedness. We often are the ignorant lackeys of cultural subversion from countless sources -- government being but one. We are fools who fall for nearly every cultural heresy that comes down the pike, no matter from which direction it comes. In that sense, we get the culture-destroying government -- and art -- that we deserve and prefer.
Posted by Michael Bauman | November 21, 2008 8:37 PM
Brief addendum:
Why are drawn so inexorably to the dance of death, I do not know. But I tie it closely to the doctrine of human depravity.
Posted by Michael Bauman | November 21, 2008 8:39 PM
Steve,
I recommend highly that you read the article:
http://www.firstthings.com/article.php3?id_article=6228
It holds great relevance to this entry of yours -- at least, in my perspective.
Posted by aristocles | November 21, 2008 8:42 PM
I suppose "celebrity" in the Kimball quotation means "being loved by the avant garde and being hated by the bourgoisie." What more could a (certain kind of) artist want? And I suppose that it makes a kind of weird sense that "opposition" should be tied in with _that_ sort of celebrity.
Posted by Lydia | November 21, 2008 8:58 PM
Steve,
Read your email :) That site and that particular style of image URL won't work (they don't allow hot-linking and that's a process-directed URL, not an actual link to an image). I'll see if I can fix it, though.
Posted by Todd | November 22, 2008 9:36 AM
Many thanks, Todd - I think I've got the hang of this now. Fingers crossed...
Posted by steve burton | November 22, 2008 3:13 PM
O, bugger. That didn't work either. I uploaded the second image to my flickr account and linked to that, but it still doesn't show.
Oh well. Perhaps it's for the best. Anyway, those interested can click on the link.
Posted by steve burton | November 22, 2008 3:25 PM
Please remove the pornography from the main page. Anyone interested in gazing at death-works, aerial views of Le Corbusier's Soviet-style villas and 3D renderings from the Museum of Modern Art can do so after reading a "disturbing images" warning and by clicking onto a link. We already know the organ of sensitivity that opens one to God has atrophied within the empty-chested "New Man" being bred by soulless technocrats. Do we really have to be visually bludgeoned by more evidence? Make displays like this an optional form of penance, not an unavoidable assault on our senses. Please.
Posted by Kevin | November 22, 2008 3:44 PM
Do you mean on this page, Kevin?
Posted by KW | November 22, 2008 4:46 PM
KW, it appears on every page and may haunt us all in our sleep. Hide the thing behind a firewall, as it is an invitation to despair and an incitement to violence. Can you imagine the kind of savage who can sit on a park bench, eat lunch and take in such an atrocity? Good Lord, the trousered apes are taking us all with them in their spiral of death.
Posted by Kevin | November 22, 2008 5:01 PM
Your earlier comment is preferable. Isn't it true that we replicate these objects of attention by paying attention to them? So the task at hand for everyone affianced to truth and beauty is to redirect attention.
In this regard, hats off to aristocles!
Posted by KW | November 22, 2008 5:42 PM
Fixed again!
Posted by Todd | November 23, 2008 12:10 AM
Todd - you're a genius!
Posted by steve burton | November 23, 2008 2:58 PM
It's Thanksgiving and I have time to read Plato's Timaeus.
So that's Platonic beauty, which is one of a kind of beauty.
I know little about the artwork pictured for this thread. I don't know who made it or paid for it. But I do know that artwork lacking beauty isn't always operating on a destructive pretense. This isn't offered in defense of ugly art, but out of pity for the artists: they know no other life. What you see is what they see. That is a benign explanation.
As to why governments might have an interest in subsidizing "ugly" art, I would answer that such artwork is effective to create an emotional disposition in the masses which helps them recognize who their saviors are. The location of such artwork is indicative. It's Promethean.
(In the same way, we have politicians happy to say how bad things are. We have Obama to say that Thanksgiving comes during a "Time of Great Trial.")
Posted by KW | November 27, 2008 3:42 PM